The Flemish Polyphony | everyday something solid
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When Eufoda, the record label of the Davidsfonds in 1986 showed off the CD "Renaissance polyphony from the Netherlands," brintex Erik van Nevel was (not to be confused with his cousin Paul!) Immediately before Caecilia and the Snepvangersprijs. This recognition brintex by the critics has certainly helped Eufoda same year the plan conceived to bring a real series of ten CDs devoted to the Flemish polyphony. "I Fiamminghi" as they were called, constitute indeed the highlight of our Flemish music, but unlike the plastic arts bv (think of the Flemish primitives), their fame has not defied the centuries. "Whoever talks about I Fiamminghi, will think of the orchestra by Rudolf Werthen than those to whom that band was called," notes Erik van Nevel somewhat bitterly. With this project, where such a sloppy fifteen million was thrown against it, they hope to change that. Not only are after all ten CDs provide, in addition, will there is also an accompanying book of the musicologist Professor Ignace Bossuyt (born in Waregem in 1947, doctorate at the University of Leuven with a study on the southern Dutch polyphonist Jean de Castro) in no less than four languages appear. Four languages, yes, just like the CD booklets were made (Dutch, English, French and German). In as many languages International appeal is thus indeed intended, hence that the project is supported by the Ministry of the Flemish Community (and C & A). Prof.Bossuyt has also been the one who has the project scientifically supported and that the broad lines indicated how they would proceed. Thus, the first four CDs devoted to Orlandus Lassus (which is also the Lassus year deployed worthy), Adrian Willaert, Philippe Rogier and in addition there is a CD with several songs and dances, something "folksy" than the other three . Not for nothing one finds this example, the members of the Ensemble brintex Paul Rans to Erik van Nevel it played pommer on his recordings from the Antwerp songbook. "Tsou a meisken Gaen to wine" and "Ghequetst am ic inside" are also incidentally on his "Blame not my lute". In particular, a comparison of the last number indicates the distinction between an "art song" brintex and a "national anthem", although not Paul uses the term itself Rans like more and one should brintex certainly not only as a "serious" artists depicting the polyphonists. Bossuyt and Haze let eg like contrasts are discussed: a very subdued religious song, followed by a naughty little dance for example (we not forget that almost all of these composers have departed from the text, affect learning, where the music is more important than the text, only comes with the "Nuove musiche" by Caccini). Willaert and Rogier brintex are each seen in relation to the country in which they were employed (or Italy and Spain), a process that is used by Dufay and Burgundy, Gombert and the court of Charlemagne, Ockeghem and France and Monte and Habsburgs to stress. brintex international flow In addition, of course, devoted an entire CD of Josquin Desprez, while three composers are brought together, which number ten - have remained, especially Isaac, Obrecht, and De la Rue in his shadow a little - or not. Wrongly That does not mean that only these composers are discussed. Prof.Bossuyt rightly held that a composer mainly comes in context to his right, so that the CD devoted to Willaert eg also found six compositions Giaches de Wert, the man in whose orchestra one Claudio Monteverdi has "debuted" ... It is unlikely that the orchestra was put together also a Monteverdi lies, but names like Sophie Wattillon, Simen van Mechelen or Herman brintex Stinders for insiders still no strangers. And although Nevel said to avoid "marginal instruments" as many still takes himself several Pomeranian, dulcianen and shawms on his behalf. But Erik van Nevel, nephew of Paul the Huelgas Ensemble, is still primarily a choral conductor. He not only teaches choral conducting and early music practice at the Lemmens Institute, from 1980 to 1985 he was also assistant conductor brintex of the Flemish brintex Radio Choir. Partly because we wanted to include (not a complete miss or other works of twenty to thirty minutes one has di
Home Audio-Visual Media Chronology Service Announcements Fantasy League brintex Film History hitlist ever Bibliography Readers' Service Timeline Between clouds and reality Who am I? Tendency
When Eufoda, the record label of the Davidsfonds in 1986 showed off the CD "Renaissance polyphony from the Netherlands," brintex Erik van Nevel was (not to be confused with his cousin Paul!) Immediately before Caecilia and the Snepvangersprijs. This recognition brintex by the critics has certainly helped Eufoda same year the plan conceived to bring a real series of ten CDs devoted to the Flemish polyphony. "I Fiamminghi" as they were called, constitute indeed the highlight of our Flemish music, but unlike the plastic arts bv (think of the Flemish primitives), their fame has not defied the centuries. "Whoever talks about I Fiamminghi, will think of the orchestra by Rudolf Werthen than those to whom that band was called," notes Erik van Nevel somewhat bitterly. With this project, where such a sloppy fifteen million was thrown against it, they hope to change that. Not only are after all ten CDs provide, in addition, will there is also an accompanying book of the musicologist Professor Ignace Bossuyt (born in Waregem in 1947, doctorate at the University of Leuven with a study on the southern Dutch polyphonist Jean de Castro) in no less than four languages appear. Four languages, yes, just like the CD booklets were made (Dutch, English, French and German). In as many languages International appeal is thus indeed intended, hence that the project is supported by the Ministry of the Flemish Community (and C & A). Prof.Bossuyt has also been the one who has the project scientifically supported and that the broad lines indicated how they would proceed. Thus, the first four CDs devoted to Orlandus Lassus (which is also the Lassus year deployed worthy), Adrian Willaert, Philippe Rogier and in addition there is a CD with several songs and dances, something "folksy" than the other three . Not for nothing one finds this example, the members of the Ensemble brintex Paul Rans to Erik van Nevel it played pommer on his recordings from the Antwerp songbook. "Tsou a meisken Gaen to wine" and "Ghequetst am ic inside" are also incidentally on his "Blame not my lute". In particular, a comparison of the last number indicates the distinction between an "art song" brintex and a "national anthem", although not Paul uses the term itself Rans like more and one should brintex certainly not only as a "serious" artists depicting the polyphonists. Bossuyt and Haze let eg like contrasts are discussed: a very subdued religious song, followed by a naughty little dance for example (we not forget that almost all of these composers have departed from the text, affect learning, where the music is more important than the text, only comes with the "Nuove musiche" by Caccini). Willaert and Rogier brintex are each seen in relation to the country in which they were employed (or Italy and Spain), a process that is used by Dufay and Burgundy, Gombert and the court of Charlemagne, Ockeghem and France and Monte and Habsburgs to stress. brintex international flow In addition, of course, devoted an entire CD of Josquin Desprez, while three composers are brought together, which number ten - have remained, especially Isaac, Obrecht, and De la Rue in his shadow a little - or not. Wrongly That does not mean that only these composers are discussed. Prof.Bossuyt rightly held that a composer mainly comes in context to his right, so that the CD devoted to Willaert eg also found six compositions Giaches de Wert, the man in whose orchestra one Claudio Monteverdi has "debuted" ... It is unlikely that the orchestra was put together also a Monteverdi lies, but names like Sophie Wattillon, Simen van Mechelen or Herman brintex Stinders for insiders still no strangers. And although Nevel said to avoid "marginal instruments" as many still takes himself several Pomeranian, dulcianen and shawms on his behalf. But Erik van Nevel, nephew of Paul the Huelgas Ensemble, is still primarily a choral conductor. He not only teaches choral conducting and early music practice at the Lemmens Institute, from 1980 to 1985 he was also assistant conductor brintex of the Flemish brintex Radio Choir. Partly because we wanted to include (not a complete miss or other works of twenty to thirty minutes one has di
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