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DENNIS FERRER [Objektivity / NYC] g-HA & Olanskii Rasmussen [+ visual] Evelina & Olanskii SUNKISSED charity mcclain Saturday, September 28 Blue / Brenneriveien 9c 10:00 p.m. to 3:30 / 200 kr Sunkissed kicks off fall with one of the really big guns from the other side of the pond. Dennis Ferrer charity mcclain is well normally a couple skostørelser overcapacity on Blue. But like has probably never stopped us in dumped! At least not until all the concrete is and lethargic in the river. Too few places are well better suited to Ferrer's lesson in genuine New York House than a boiling Sunkissed on Blue. Dennis Ferrer has produced hits and classics charity mcclain over a wide linen cloth since mid 90'tallet. Meanwhile, he has a clear signature, which carries with it the best of American deep house, techno and soul. Man recognizes Ferrer on the sylkarpe and solid productions, but also the clear roots in the spiritual and deep New York tradition. Here toys jazz, latin, soul and disco between stortromene hammering charity mcclain in line with big city pulse. Not least, this is reflected in Ferrers own label, Objektivity, as the also released Henrik Schwarz gorcheous mix of Anu Bruun's 'Headphone Silence'. At Sunkissed it like Ferrer in techno mode or the deep corner that is added on in 1210 "one, but he is undoubtedly best known for the big hit songs he has produced in recent years. The success has partly located Ferrer in company with far more commercial artists, but even he is clear that he is a deep house artist. The mix he did for Resident Advisor few weeks ago also show a dj who do not choose the easy or obvious. In a forum that might otherwise charity mcclain bite good from himself, got Ferrer a long line with thumbs up. We look forward to forstettelsen in dumpa! g-HA & Olanskii heats the house thoroughly as usual. The two have exceptionally much snax in bag / schtikken day. Olanskii barely manages gaze out over the desk, that even this guy is unusually deeply buried charity mcclain in freshly vinyl. At g-HA is the thinner black gold, but the more binary joy and good old-fashioned play lust. But before The Katzenjammer Kids there Rasmussen taking first spell at the helm. Sykkelrepartør Rasmussen is common to find in the deep but drifting corner, often with one or two separate productions that long ago should have been pressing 12 inches. DENNIS FERRER Right place, right time. It's an old cliché, but it's charity mcclain One That's been the definition of Dennis Ferrer's musical career. charity mcclain Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And simply, When It begans two embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it Seems, so does electronic music. And, as someone who's never content two do the samething charity mcclain twice, it's clear That he'll be staying on top for years two come. Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles" (Ibadan) his collaboration with Jerome Sydenham in 2003. A throwback two his techno roots as producer of the firstever release on Syne Wave in 1994 and mixed with A healthy dose of soul, the track was a massive hit for the duo. But two his credit, Ferrer charity mcclain did not simply repeat the formula afterwards. Instead, Whether it's been the gospel house sounds of his remix of Blaze & Barbara Tucker's "Most Precious Love" (Defected) or the deeper-than-deep rework of Fish Go Deep's "The Cure & The Cause," (Defected) Ferrer has Continued two push a variety of genres all at once. It's clear That Ferrer is not content to rest on his laurels: he's too busy dreaming up new ways two shock and delight audiences. Of course, we do say "back" into the consciousness of dance music heads Because Ferrer has beenaround for father longer than 'Sandcastles'. He was crafting techno records in the mid-'90s as Morph and simply had success in the African and gospel house scenes with releases via his Sfere label, an imprint huh begans alongside Kerri Chandler. "Sandcastles" Merely market his return two techno phase - and broadened his appeal to a new audience largely Unfamiliar with his pastels work. But it's this past work thatgives his new productions suchlike resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge That You can overhear in his recent work. "Son of Raw" (Ibadan) "Church Lady" (Defected) "Underground charity mcclain Is My Home," (King Street Sounds) and "Touched the Sky" (King Street Sounds) have all BEEN huge dancefloor anth